He says that a married lady was expected to put on a veil while moving in the public. Retrieved 4 July
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SARI • sari n.m. En Inde, costume féminin composé d'une pièce de coton ou de soie. • sari n.m. (Habillement) Robe traditionnelle des femmes en Inde. • sari n.m. (Zoologie) Mollusque du Sénégal. SARIGUE • sarigue n.f. Mammifère marsupial d'Amérique. • sarigue n.f. (Zoologie) Petit mammifère à longue queue préhensile de l’ordre des marsupiaux, la femelle porte.
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Les traditions de l’Inde et leur importance dans la vie ...
Les traditions de l’Inde et leur importance dans la vie quotidienne. L’inde est un pays où les coutumes et la tradition sont dépendantes de la religion. Le quotidien des indiens est rythmée par les cérémonies hindoues nombreuses et animées. Le sacré est présent partout, dans chacun des gestes quotidiens.
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WELCOME TO INDYVOGUE WE ARE HERE TO WIN YOUR HEART. TO REDEFINE YOUR ETHNIC FASHION BUY INDIAN SAREES WITH US! Women of certain occupation such as teachers wear sari to their workplace. Young girls also wear it on special occasions. Although Dhakai Jamdani hand made sari is known worldwide to all women who wear sari, there are also many variety of saris in Bangladesh.
There are many regional variations of them in both silk and cotton. Sari is considered as a dress code in news channels, educational institutions, workplaces and formal events etc. In , Bangladesh received geographical indication GI status for Jamdani sari. Sri Lankan women wear saris in many styles.
Two ways of draping the sari are popular and tend to dominate: the Indian style classic nivi drape and the Kandyan style or Osariya in Sinhala. The traditional Kandyan Osariya style consists of a full blouse which covers the midriff completely and is partially tucked in at the front.
The final tail of the sari is neatly pleated rather than free-flowing. This is rather similar to the pleated rosette used in the Pin Kosuvam style noted earlier in the article. The Kandyan style is considered the national dress of Sinhalese women. It is the uniform of the air hostesses of SriLankan Airlines. During the s, the mini sari known as 'hipster' sari created a wrinkle in Sri Lankan fashion, since it was worn below the navel and barely above the line of prosecution for indecent exposure.
The sari is draped around the waist and a shawl is worn covering the upper half of the sari, which is used in place of a pallu. In Pakistan, the saris are still popular and worn on special occasions. The Shalwar kameez , however, is worn throughout the country on a daily basis. The sari nevertheless remains a popular garment among the middle and upper class for many formal functions. Saris can be seen worn commonly in metropolitan cities such as Karachi and Islamabad and are worn regularly for weddings and other business types of functions.
Renowned Pakistani singer and icon Madam Noor Jahan was famous for wearing silk saris. Saris are also worn by many Muslim women in Sindh to show their status or to enhance their beauty.
While the sari is typical to traditional wear for women in the Indian subcontinent, clothing worn by women in Southeast Asian countries like Myanmar , Malaysia , the Philippines , Cambodia , Thailand and Laos resemble it, where a long rectangular piece of cloth is draped around the body.
Saris, worn predominantly in the Indian subcontinent, are usually draped with one end of the cloth fastened around the waist, and the other end placed over the shoulder baring the midriff. Saris are woven with one plain end the end that is concealed inside the wrap , two long decorative borders running the length of the sari, and a one to three-foot section at the other end which continues and elaborates the length-wise decoration.
This end is called the pallu ; it is the part thrown over the shoulder in the nivi style of draping. In past times, saris were woven of silk or cotton. The rich could afford finely woven, diaphanous silk saris that, according to folklore , could be passed through a finger ring.
The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money. Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated with block printing using carved wooden blocks and vegetable dyes, or tie-dyeing , known in India as bhandani work. Sometimes warp and weft threads were tie-dyed and then woven, creating ikat patterns.
Sometimes threads of different colours were woven into the base fabric in patterns; an ornamented border, an elaborate pallu , and often, small repeated accents in the cloth itself. These accents are called buttis or bhuttis spellings vary.
For fancy saris, these patterns could be woven with gold or silver thread , which is called zari work. Sometimes the saris were further decorated, after weaving, with various sorts of embroidery. Resham work is embroidery done with coloured silk thread. Zardozi embroidery uses gold and silver thread, and sometimes pearls and precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls and Swarovski crystals.
In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester , nylon, or rayon , which do not require starching or ironing. They are printed by machine, or woven in simple patterns made with floats across the back of the sari. This can create an elaborate appearance on the front, while looking ugly on the back.
The punchra work is imitated with inexpensive machine-made tassel trim. Fashion designer Aaditya Sharma declared, "I can drape a sari in 54 different styles". While the overall market for handweaving has plummeted leading to much distress among Indian handweavers , hand-woven saris are still popular for weddings and other grand social occasions. The traditional sari made an impact in the United States during the s. Eugene Novack who ran the New York store, Royal Sari House told that he had been selling it mainly to the Indian women in New York area but later many American business women and housewives became his customers who preferred their saris to resemble the full gown of the western world.
He also said that men appeared intrigued by the fragility and the femininity it confers on the wearer. The sari has gained its popularity internationally because of the growth of Indian fashion trends globally. In , Bollywood actress Deepika Padukone wanted to represent her country at an international event, wearing the national costume. On her very first red carpet appearance at the Cannes International Film Festival , she stepped out on the red carpet in a Rohit Bal sari.
Many foreign celebrities have worn traditional sari attire designed by Indian fashion designers. In the United States , the sari has recently become politicised with the digital-movement, "Sari, Not Sorry".
While an international image of the modern style sari may have been popularised by airline flight attendants , each region in the Indian subcontinent has developed, over the centuries, its own unique sari style.
Following are other well-known varieties, distinct on the basis of fabric, weaving style, or motif, in the Indian subcontinent. Galaxy of Musicians by Raja Ravi Varma depicting women in various styles of sari.
Sinhalese woman wearing a traditional Kandyan sari osaria. Education Minister of Bangladesh Dr. Dipu Moni wearing sari with Hillary Clinton. Bangladeshi Prime Minister Sheikh Hasina in a Rajshahi silk sari at the Moscow Kremlin in From Wikipedia, the free encyclopedia.
Draped garment worn by women in the Indian subcontinent. This article is about the garment. For other uses, see Sari disambiguation. For other uses, see Saris disambiguation. This article has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages.
See why. August This article may require copy editing for grammar, style, cohesion, tone, or spelling. You can assist by editing it. August Learn how and when to remove this template message. Tara depicted in ancient three-piece attire, c. Girl in Gujarati sari; in this style, the loose end is worn on the front. Woman in Tamil sari; in this style, the loose end is wrapped around the waist. Girl in Bengali sari; in this style sari is worn without any pleats.
Women in Nauvari sari. Girl in Nauvari sari a form of kachha Nivi worn in Maharashtra. Style of sari worn in Coorg. Melgacche drape, sari draping style of North Karnataka by Raja Ravi Varma. Asia portal Fashion portal. Dhoti Ghagra choli Indian clothing Indian wedding clothes Lehenga-style sari Salwar kameez Sari cancer.
The Sari. New York: Harry N. Abrams, Incorporated. ISBN Saris: An Illustrated Guide to the Indian Art of Draping. New York: Shakti Press International. Saris: an illustrated guide to the Indian art of draping. Shakti Press International. Women of Andhra Pradesh claim that the modern sari is their own traditional drape.
Indian saris : traditions, perspectives, design. New Delhi: Wisdom Tree in association with National Institute of Design, Ahmedabad.
Retrieved 31 October Hinduism Today. Retrieved 9 March The Imperial Dictionary and Encyclopedia of Knowledge Unabridged. Belford Publishing Company. McGregor , ed. The Oxford Hindi-English Dictionary. Oxford University Press. A Sanskrit-English Dictionary. Delhi: Motilal Banarsidass. Retrieved 4 July The Indian encyclopaedia: biographical, historical, religious, administrative, ethnological, commercial and scientific.
Reunion-Satya Yauvana, Volume Genesis Publishing Pvt Ltd. The etymology of the word sari is from the Sanskrit 'sati', which means strip of cloth. Chapter 2 'Female Dress', Munshiram Manoharlal publishers Pvt Ltd.
Archived from the original on 20 November A History of India. Blackwell Publishing. ISBN , p. Retrieved 26 December PMID Fashion Styles of Ancient India: A Study of Kalinga from Earliest Times to Sixteenth Century Ad. Publishing Corporation. Costume, textiles and jewellery of India: traditions in Rajasthan. Mercury Books. Dipak Sharma "SOUVENIR of 2nd International Science Congress ISC Correia-Afonso, "Indica, Volume 21, Issue 2", p.
IndiaColor: Spirit, Tradition, and Style. Chronicle Books. The Tale of an Anklet: An Epic of South India — The Cilappatikaram of Ilanko Atikal, Translations from the Asian Classics. New York: Columbia Univ. The Position of Women in Hindu Civilization, From Prehistoric Times to the Present Day. Motilal Banarsidass Publ. Cosimo, Inc. Retrieved 13 January — via Google Books.
Singh "The Sari: Styles, Patterns, History, Techniques. The Natyashastra [Dramaturgy], 2 vols. Contributions to Indian Sociology. S2CID Indian Saris — Traditions — Perspective — Design. New Delhi, Ahmedabad — India: Wisdom Tree in association with National Institute of Design. Retrieved 13 November Indian embroidery Fashion. Belgaumkar and Anil Kumar Sastry 27 October The Hindu. Chennai, India. Archived from the original on 10 February
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